The design of the dress is inspired by the symbol of “the key to life”, representing the forces of life in ancient Egypt, where a contemporary ornament was formed inspired by the hieroglyphic
symbol representing the “key of life”, the symbol
of “ankh” and placed on the entire front of the costume.
This design concept included embroidery with golden threads, given that gold represents a physical embodiment of the sun rays
and the keys of the “ankh”, according to the prevailing concepts at the time. This is in addition to the use of the white color of the dress as it represents a physical expression of the manifestations of life in ancient Egypt.
The design of Queen Nefertari Dress is inspired by
the celestial appearance of the goddess “Hathor”
and her crown associated with the sun disk. This due
to the similarity between the sacred status of the
queen and the goddess “Hathor” as the daughter of
the sun and the wife of the solar deity “Hoor Al-Bahdati”, the victor over his enemies in ancient Egyptian
mythology.
The design of the dress is inspired by the “lotus”
flower, as it represents the forces of life in ancient
Egypt, where a decorative formation consisting of
three “lotus” flowers was used on the entire front of
the dress, and the costume envelops a scarf in the
form of an open “lotus” flower bud. As an expression
of the breeze of life emanating from the “lotus” flower, according to ancient Egyptian myths.
This design included also embroidery with golden
threads, considering that gold represents a physical
embodiment of the first sun that appeared shining
from the bud of the “lotus” flower in the myth of the
creation of the universe prevailing at the time, in addition to the use of the white color of the dress as an
expressive appearance of the “lotus” flower.
The design of the dress is inspired by the design
vocabulary of the prevailing appearance of the god
“Aten” during the flourishing period of the arts of
the “Tel el-Amarna” region - “Akhet Aten” at the
time. The appearance in which the god “Aton” is depicted in the form of a sun disk with rays extending with powers. This is demonstrated through the use of the idol “Aten” as a decorative unit on the top of the waist for the dress, in addition to the crown
of the statue of Queen “Nefertiti” located in the Museum of “Berlin”. is known that King Akhenaten, husband of Queen Nefertiti, was the first to call for the one-ness of worship under the sovereignty of
the god Aten, and subsequently built a new city to rule, Akhet Aten. This dress included copper units coated with a layer of gold, as gold is a physical embodiment of the sun rays of the idol “Aton” in ancient, and from it came its relationship with the life forces of the sun, in addition to the use of the white color of the dress because it represents themanifestations of life .
The design of the contemporary dress of Queen “Ankhesenamun” is inspired by a piece of art found in the tomb of her husband, King “Tutankhamun” in the “Valley of the Kings” region, where the “lotus” flower was used anatomically at the top of the dress – next to the heart. The lotus
flower is a mythical embodiment of the moment of birth of the first sunrise when it emerged from the first water source in
the myths of ancient Egypt, and what the moment of sunrise symbolizes from the manifestations of the birth of life and permanent renewal according to the prevailing beliefs at the time. The blue “lotus” flower in ancient Egypt in general also represents a symbol of affection between lovers, which in turn represents a symbolic confirmation of the emotional bond between Queen “Ankhesenamun” and her husband, King “Tutankhamun”. This design concept was also confirmed through the use of copper units coated with a layer of gold, as gold is a physical embodiment of sunlight in ancient Egypt, and from it came its relationship with the sunrise and the “lotus” flower, in addition to the use of black color, a physical embodiment of the night sky as the moment in time before sunrise.
THE DESIGN OF THE DRESS IS INSPIRED BY
THE NILE RIVER, AS IT REPRESENTED THE FORCES OF LIFE IN ANCIENT EGYPT. THE CONCEPT CONSISTS OF TRANSVERSE GRADIENT LINES INSPIRED BY THE APPEARANCE OF THE SIX GONDOLAS LOCATED SOUTH OF THE COURSE OF THE NILE RIVER. THIS DESIGN ALSO INCLUDED EMBROIDERY WITH GOLDEN THREADS, CONSIDERING THAT GOLD REPRESENTS A PHYSICAL EMBODIMENT OF THE SUN, WHICH TAKES ITS DAILY JOURNEY BETWEEN NIGHT AND DAY ON TWO BOATS WHOSE PATH FOLLOWS THE COURSE OF ANOTHER HEAVENLY RIVER CORRESPONDING TO THE “NILE” RIVER IN THE SKY, ACCORDING TO THE LEGENDS PREVAILING AT THE TIME. ADDITIONALLY, THE USE OF THE BLACK COLOR OF THE DRESS EXPRESSES THE CELESTIAL RIVER IN THE MYTHS OF ANCIENT EGYPT
THE DESIGN OF THE PROPOSED CONTEMPORARY DRESS
FOR QUEEN MERITITES I IS INSPIRED BY THE PYRAMID OF
HER HUSBAND, KING KHUFU, PERCHED ON THE TOP OF
THE “GIZA” PLATEAU, WHERE THE PYRAMIDAL SHAPE OF
COPPER COATED WITH A LAYER OF GOLD WAS USED
FREELY AT THE TOP OF THE DRESS – NEXT TO THE HEART.
WHERE THE PYRAMID IS REPRESENTED BY A PHYSICAL EMBODIMENT OF THE SUN’S
RAYS THAT CONNECT THE SKY AND THE EARTH, AND
WHAT THESE RAYS SYMBOLIZE OF THE MANIFESTATIONS
OF LIFE AND THE HOPES OF IMMORTALITY. BELOW THAT
PYRAMIDAL SHAPE APPEARS AN ARTISTIC FORMATION
OF A CONTEMPORARY ABSTRACTION OF THE “GRAND
GALLERY” INSIDE THE GREAT PYRAMID, AS IT IS THE MAIN
ARCHITECTURAL SPACE INSIDE THE PYRAMID LEADING TO
THE BURIAL ROOM OF KING “KHUFU”, WHICH IN TURN
REPRESENTS, ALONG WITH THE PYRAMID SHAPE AT THE
TOP OF THE DRESS, A SYMBOLIC CONFIRMATION OF THE
EMOTIONAL CONNECTION BETWEEN QUEEN MERITITES I
AND HER HUSBAND, KING KHUFU. THIS DESIGN CONCEPT
WAS ALSO CONFIRMED THROUGH THE USE OF COPPER
UNITS COATED WITH A LAYER OF GOLD, CONSIDERING
GOLD AS A PHYSICAL EMBODIMENT OF THE SUN’S RAYS
IN THE ANCIENT EGYPTIAN BELIEFS PREVAILING AT THE
TIME, IN ADDITION TO THE USE OF THE BLACK COLOR AS
A SYMBOL OF THE EGYPTIAN LANDS BACK THEN.
The design of the dress is inspired by the symbol of “the key to life”, representing the forces of life in ancient Egypt, where a contemporary ornament was formed inspired by the hieroglyphic
symbol representing the “key of life”, the symbol
of “ankh” and placed on the entire front of the costume.
This design concept included embroidery with golden threads, given that gold represents a physical embodiment of the sun rays
and the keys of the “ankh”, according to the prevailing concepts at the time. This is in addition to the use of the white color of the dress as it represents a physical expression of the manifestations of life in ancient Egypt.